Maintenance of updated data is not a national priority yet

IIPM Mumbai Campus

India : Data Maintenance
Sorry Dr. Rangarajan...

The latest data that the Indian Ministry of Science and Technology can provide of investment on R&D is of 2002-03. Investment in R&D is one of the most imperative areas for policymakers. Imagine the ministry forming policies based on the 2002-03 data that is undoubtedly outdated; and a lot has changed since then on the investment front. A big challenge before policymakers today is availability of timely and reliable data. But unfortunately, gathering and maintenance of relevant statistics has not become a national priority yet.

India has many agencies including CSO, NSSO, Ministry of Statistics and Programme Implementation for collecting and presenting data. There is extensive incongruity in statistics provided by them. One example relates to the poverty level calculation measures used in India by different agencies. As per the Arjun Sengupta Committee report submitted in 2007, 77 per cent Indians were living in poverty. In contrast, a Planning Commission report said that around 27.5 per cent people live below the poverty line. Another report by an expert group led by Dr.Suresh Tendulkar said the poverty rate in India was 37.2 per cent during the same period. Three different agencies and three different contrasting figures!

Another example is the population census. Ministries use the 2001 census for policy making. With 1.38 per cent population growth rate, the 2001 figure is surely not the one policymakers should be using to create policies. The Wholesale Price Index (WPI) is another example. WPI continue to consider certain factors which are no more in people’s regular consumption baskets while it continues to ignore certain new consumption factors like transportation, electricity, rent, medical expenses etc. that have become common today. That is why, while the official rate of general inflation was going down during the last few months; with roaring price of sugar, pulses, vegetables and fruits, food inflation was going sky high. The case is similar in IIP or GDP; it often gives misleading statistics.

Moreover, there is a huge time lag between collection of data and their propagation (which is a minimum of two years). There is also very little harmony between state and central agencies in gathering and disseminating data. The country has also not been successful in implementing the basic recommendations by the National Statistical Commission headed by of Dr. C. Rangarajan. Lessons can be learnt from US and China. Different departments in the US give special importance to data gathering and compilation for sensible conclusions. China is doing a record breaking comprehensive census covering 90 per cent of the population and 18 different areas including age, sex, education, employment etc. On a positive note, the World Bank has approved the financing of 80 per cent of the Rs.650.43 crore Statistical Strengthening Project and the ongoing Census 2011; UID system can be very effective too. Hope lives...

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The Chronicles of Narnia: Voyage of the Dawn Treader

IIPM Mumbai Campus

A fun adventure crafted from the body of a fine tale

Anyone with a bit of an imagination would be immediately drawn into CS Lewis’s “Chronicles of Narnia” series of books where Lewis creates the fantasy world of Narnia, that via their wardrobe the Pevensie family children land up in. The third movie in the popular franchise does decent justice to visually build an exciting canvas on which the adventures are showcased and also does a fair job of weaving the story well enough for both new and old fans. The Pevensie children – Lucy and Edmund and their cousin Eustace land up on the ‘Dawn Treader’, the ship being captained by Prince Caspian (technically King Caspian, since the Prince they met in the last installment of the story had overthrown the evil King Miraz who was ruling Narnia). Caspian embarks on a voyage across the sea to the edge of the world, one that brings in the usual elements of adventure as the crew meets dragons, warriors and other oddities along the way.The action is nicely done, peppered with good natured humour which makes the film a pleasant watch. The depth of the messages, which ostensibly are embedded in Lewis’ books, do not have much role here in what is brazenly executed as a family entertainer. But that doesn’t demean the source material and the actors – Georgie Henley (Lucy), Skandar Keynes (Edmund) and Ben Barnes (Caspian) seem to be enjoying the outing. Simon Pegg as the voice of the little mouse Reepicheep is a hoot as usual and injects an extra dash of energy. “Voyage of the Dawn Treader” is a nice trip made worthwhile by the good CGI background work in creating the wondrous world of Lewis’ fabulous imagination.

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Khelein Hum Jee Jaan Sey: A historic waste of effort

Management Guru Arindam Chaudhuri Dean Business School IIPM

There is a scene in the movie “Khelein Hum Jee Jaan Sey” (KHJJS) where the teenage kids try to load bullets into their rifles and they do that painstakingly one bullet at a time. Those were the 1930s, before the era of automatic weapons. True to the spirit of the times, Ashutosh Gowarikar creates a world that transports us to a bygone era in an attempt to tell us a long forgotten story. Unfortunately, his assumption that not just the content but the speed and format of storytelling from the 1930s would work for the current generation with an attention span shorter than the speed of a machine gun totally misfires.

KHJJS tells the story of the revolutionary leader Surjya Sen (Abhishek Bachchan), who along with his comrades inspires a bunch of teenage kids to take up arms against the British in the Chittagong region. Sadly, the mission doesn’t succeed as planned and the gang is forced to beat a hasty retreat into the jungles only to be chased by an unrelenting British army. The way the story pans out, the revolutionaries seem to have achieved very little at the end and the same holds true for the people who made this film too.

KHJJS ends up looking more like a documentary rather than a piece of cinema, the main culprits being the linear characterisation which leaves no scope for any conflict or drama within the characters and the second is the unimaginative use of camera and background music. Barring the Vande Mataram track that plays at the end of the film, no other scene leaves an impact. One can only feel sad for the massive effort the team has put in because the same film in the hands of a more stingy editor and imaginative dialogue writer could have become an instant masterpiece.

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I would love to remake Amar Akbar Anthony

IIPM Mumbai Campus

The maker of "Lagaan", "Jodhaa Akbar", and now "khelein hum jee jaan sey", Ashutosh Gowariker has his eyes trained on history. in an interview with Neha Sarin, Ashutosh comes clean on his penchant for patriotic themes, and his sensitivity to criticism.

How did you as an actor decide to become a director? Did you always want to become one?

No. First of all, I never thought I would be an actor. I became an actor by accident. In college, I was a part of plays and I got picked up for one of those parts in Ketan Mehta's "Holi". That’s how I became an actor. I have not trained as an actor or director. My only thing was intention. I realised, even as an actor, when I was on sets, I would keenly observe everything going around even if I was not in the shot. I would observe the director. I was like Eklavya, where I was watching and learning by proxy. Luck favoured me when I got my first opportunity in the form of "Pehla Nasha"; it was by Deepak Tijori. Aamir and Shah Rukh knew that I had an inclination and they also felt very strongly that I (Ashutosh Gowariker) should become a director.

How did you stumble upon the story of "Khelein Hum Jee Jaan Sey"?

I stumbled upon the book “Do and Die” by Manini Chatterjee about the uprising of the 1930s. I initially thought the book was called “Do or Die” but it was actually called “Do and Die,” meaning there was no option; I found that intriguing. It was about a massive uprising which consisted of 64 people attacking five different sects of the British power one night. It was led by Surjya Sen who was a school teacher and 55 of the 64 people were teenagers. I was absolutely embarrassed that I did not know anything about it except the little in the school books. After I read the account, I was fascinated with the book. You have so many attempts at achieving freedom and revolutions – some of which have been violent, some non-violent, some known and some unknown. I think this was one of those on the path of violence but in a manner that the mercenaries felt strongly in their hearts. The emotion I felt while reading it, I want the nation to discover the same thing. The teenagers’ involvement had a sense of daring because in a way, they are playing with their lives. And to reflect that aspect, I chose the title “Khelein Hum Jee Jaan Sey”.

You have worked with some of the finest actors in the industry including Aamir Khan, Shah Rukh Khan and Hrithik Roshan. How was it working with Abhishek Bachchan?

I've been waiting to work with Abhishek for quite some time but never found the right script. The first impression I got of Surjya Sen, Abhishek's face came to my mind right away and I thought here is an opportunity to work with him and have him play this particular part. What attracted me the most was that he was a school teacher who planned the entire revolution. On one hand is this act of rebellion, but along with that is this purity and innocence. He is a man with a dream in his eyes. I felt Abhishek has these qualities. In his persona there is strength and rebelliousness but at the same time there is a certain degree of purity. It has been tremendous working with Abhishek in this film.

Deepika is such a generation Y girl. What made you select her for the role of Kalpana Dutta in KHJJS?

Kalpana was part of the Congress, but around those times, women couldn’t get into the revolution in a big way. She was someone who had a very rich background; she was a land owner's daughter. Still she wanted to give it away and participate in the revolution. I found an uncanny resemblance between Deepika and the original Kalpana Dutta.
How did you get around to casting Shah Rukh Khan in "Swades", a movie that did touch many a heart, but somehow didn’t set the Bollywood cash registers ringing?
There has been a lot of exchange of ideas and likes and dislikes with Shah Rukh through the acting years, and then during "Kabhi Haan Kabhi Naa" and "Chamatkar". When I discussed the idea of "Swades" with him, his immediate reaction was, “I want to be Mohan Bhargav”. For me Mohan Bhargav had to be someone who did not belong. You don't often see Shah Rukh sitting with a book or in a train. I felt the contrast between someone qualified and someone re-entering the world at the grassroots to rediscover. I thought those two opposites helped make Shah Rukh Khan as Mohan Bhargav convincing.

Out of all the films ever made, if you had to remake one film, which one would it be?
I would love to remake “Amar Akbar Anthony” because it’s absolutely escapist entertainment. It’s something that I have never done. I have done more of realistic cinema. What inspires me is the (concept of) three religions. It’s about tolerance and coming together and living in harmony. I like the theme of the film.

Does it bother you when you get negative feedback or comments on your films?

It saddens me but it does not bother me, if you know what I mean. I like constructive criticism; I definitely like to know why it wasn't liked so that I can understand that and see whether I agree or disagree with it. It helps me in taking a step ahead. Opinions and criticisms do matter to me and I try to turn it into something positive.

From where do you draw inspiration for films like "Lagaan" and "Swades"?

One of the things that attract me is that there are people who can come together and make something happen if they want it. We can have different backgrounds and we might have divergent opinions like in the case of “Lagaan” but they decide to come together to fight a common enemy. Even in the case of “Swades”, the way the villagers come together and put their mind to it to improve their way of life. KHJJS too reflects that because there is a revolution led by Surjya Sen with 64 key members; all of them came together for the freedom of the country. If we can come together, we can do it. That is a theme that has an element of patriotism and that subconsciously interests me.

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